Clear Sight

I’ve been doing some thinking on my vacation; going away is often a way of coming closer to myself, of discovering what’s been stored up inside me for lo these many months.

Landing in Kauai, I assumed I would magically relax into a state of being where one activity flowed into another--not the hurried hula I find myself performing on most working days.

While there were indeed many delicious activities; ocean walks, tropical flowers and rainbows, I was surprised to meet up with some of my oldest and most familiar demons; the ones that incessantly wish to compare myself to others who seem to be more, do more, achieve more.

A hold-over from childhood, these thought pests seemed more intense than usual, even creeping into my dreams. My sister, who had joined us, noted that sometimes in Hawaii, it seems that one’s stored up issues just seep out like lava--a kind of “detoxifying” if you will.

While the gremlins nibbled and morning doves cooed, I tried to set up a studio practice--sparer than my normal routine, but something to do in order to counter my inner detractors. I decided to sit down for an hour a day with watercolors and just paint something. I picked the simplest forms I could find; lemons and limes picked from trees  growing in the yard and tiny birds of paradise that grew by the outdoor shower.

As I painted, I observed my initial antipathy to mixing the color green. It brought up memories of phthalocyanine green oil and viridian oil in undergraduate school and my messy complicated affair with oils). I persevered and, finally, loosened my association of mixing colors which matched my mood and began instead to evoke a feeling of relationship with the fruits I studied.

What I also observed, as the days peeled off, was that after painting I experienced a feeling of clairvoyance--clairvoyance in the French sense of the word, which literally means: “clear sight.” The fabulous leaf and flower forms that surrounded me seemed heightened, standing out as if I were staring at an intricate Indian miniature. I experienced an intensity of seeing similar to the high that practitioners of yoga describe. I felt loose and clear headed. I breathed effortlessly.

I’d like to claim, after this time away, that I’ve returned to normal life with no worries, sustained clear sight and a pack of good watercolors. But reality, like river water after a storm, is muddy. Spending time with transparent colors and resplendent foliage allowed me to see the landscape through the mist; there are always more layers--I understood again that we can never really remove ourselves from the complex relationships of people and situations, the endless rich entanglements of this world. However, like finding a blossom in the Hawaiian jungle, I can always locate something to focus on.

My 7 Links

Marriage Circa 2011, ©2011, H.Hunter, Collage: paper and acrylic paint

I recently accepted Donna Iona Drozda's invitation to participate in a project: My 7 Links Project. For this project, each blogger chooses 7 different posts to fit seven unique categories and then invites up to 5 more bloggers to do the same, and so on, as a way of uniting "bloggers from all sectors in an endeavor to share lessons learned and...to... create a bank of long but not forgotten blog posts..."

A timely invitation and one that I thought about because it seemed to me a perfect chance to look over the year's post, to form in my mind a gestalt of what I'd written, a means of seeing the road I'd traveled and perhaps the road I might choose to take in the year ahead.

Like the doors on an advent calendar, I invite you to open up one or more of these links and see what you discover.

Most helpful: Young Adult Bereavement Art Group/Art Therapy in Action: This post proved to be helpful in two ways; one for me, because the post reflects how much I learned about the grief process of young adults, but also because this information is useful to those people who wish to start an art therapy based bereavement support group in their own community.

Where I Live, ©2000, H. Hunter, 15" x 18", Acrylic & Caran d'ache

Most popular: Finding Sanctuary: addresses our universal need to find a safe and sacred space. Nature + art = one of the most effective ways to find it.

Didn't quite get the attention it deserved: Timing is Everything: There's a lot packed into this little post with M.S. Merwin's poem. Spring opens our eyes with its fleeting beauty and we're reminded, once again, of the transience and beauty of life.

Most proud of: Art Therapy 101: No questions here. Art Therapy 101, about my daughter who was my first teacher in art therapy, wrote itself.

Peonies at the Ogunquit Museum of American Art

Most beautiful: Accidental Journey: Places of the soul--all of us have them and I accidentally traveled back to mine in this trip to Maine. Here I share images and thoughts of this magical journey, especially one gorgeous blush colored peony.

Surprising Success: A Different Kind of Summer: I had no idea when I wrote about spending the summer in the studio that it would elicit so many responses. At the hospital, when I'm asked what I did on the weekend, my answer is always the same: "I was in my studio." (And it's always a pleasure.)

Most controversial: New Beginnings: The controversy here is subjective within the quilting world--I suddenly felt confronted by an entirely different way of seeing the quilting process, one I hadn't considered and which challenged me to re-examine my approach to the aesthestics of art quilts.

And now some nominations--4 blogs with entirely different focuses--something to satisfy different parts of my personality.

From the Scattergood Farm: written by two teachers at Scattergood Friends School (my daughter's high school alma mater) where students both study and work a living farm. In this new blog, they present some radical new ideas for school lunch. Check this out!

Patricia Scarborough: I love Patty's posts--witty and wry and half a continent away, I love to read her observations and see her plein air plainscapes. 

Dwelling Here Now: One of the first blogs I discovered, Anthony Lawlor takes a spiritual approach to architecture and the architecture of thought. 

Blue Sky Dreaming: Blue Sky's open minded approach to her subject matter and materials intrigues and inspires lots of us in the mixed media world.

Art: Worth An Ounce of Prevention

Still Quadrant, ©2011, H. Hunter, 18" x 18," Monoprint and Collage

I'm sitting at my desk at the Children's Hospital here in Sacramento. When I'm here, I'm firmly in my role as an art therapist, but every so often this role gets mixed up with my role as an artist.

I often feel like I lead a kind of double life, shifting internally between the person who keeps a curious eye open to composition and the way colors play against one another, and the person whose job it is to keep watch with another; one whose life has been compromised by illness, accident or abuse. I offer them the time and space, safety and support so that they can use the art materials and allow whatever wants to emerge to appear. We welcome the result as just right, true to itself, perfect.

Every so often, my roles get jumbled--like this week. I had been asked by our director of Patient Care Services to participate in an art benefit to help raise money for a local chapter of the Child Abuse Prevention Center. She wanted to create an event filled with art and combined with California vintners, to help support this worthy cause. For anyone unfamiliar with the impact of this issue, the Center's site posts an astonishing list of statistics:

Every minute in America a child is reported abused or neglected...One in five is sexually abused. Half a million children are reported abused in California each year. Every day in California at least one child dies as a result of abuse or neglect.

Each one is one too many.

These are startling and disturbing statistics and what brings these numbers home to me is the entry of one of these small "ones" into our playroom,  carried in the arms of a nurse. The care and treatment that these children receive is superb and beyond that, the love that surrounds them is priceless. So many arms are there to soothe, protect and hold them as their injuries heal and the natural resilience of each child takes hold once again.

I didn't think twice before I said yes, because the request touched my heart. I knew that here was a way to give back.

I'll be showing my artwork with a number of excellent artists: Chris Beer, Mark Bowles, Beth Rommel, Andrew Maurer, Jane Mikacich, Wendy Nugent, Diane Poinski, and Stacey Vetter. I hope you'll take a moment to reflect upon this issue and consider what you might do in your own area to help. If you're going to be around the Sacramento area, I warmly invite you to the Pour for Prevention event on Saturday, August 27th from 6-9 p.m. For more information and details, click here.

Home: Our Foundation

"Tempting Fate," ©2004, H.K.Hunter, 3.5" x 5", Collage: acrylic and magazine images on paper, Collection of Diana Connolly

Recently, I've pondered home as a symbol and a reality. In the wake of Japan's earthquake/tsunami and the rash of virulent tornadoes over middle America, the fact that one's hearth can be destroyed in seconds made me think about the various values held by the place where we reside.

"Many Chambered House," ©2004, 3' x 5", Collage: acrylic, colored pencil, calendar imagery and ink on paper, Collection of Virginia Shubert

Across our country, home prices have tumbled, particularly in areas deeply connected to me: California where I live, Florida where my son resides and Michigan, where half of my family originated. We've been lucky enough to maintain our home for many years but it has come home to me how quickly that privilege can be taken away.

As children, we moved frequently from state to state, house to house, apartment to apartment. While many kids dream about what they want to be when they grow up, I fantasized about having a home of my own (think:Virginia Woolf's A Room of her Own.)

Even as that vision took shape, my desire must have remained sublimated, because I also ended up making art about homes. Recently, I saw a message on my facebook fanpage from a collector, who bought one of my paintings nearly 20 years ago. The woman was kind enough to take a picture of the work and when I saw it, I recognized an early "home" piece.

"Piecing the Night," ©1992, H.K. Hunter, 8.5" x 7", watercolor on paper, collection of Michelle Heinz

That made me curious. I pored over my i-photo files and pulled out the "homes" I'd made in recent years. I've selected a few to share with you here.

"Katrina," ©2005, 11" x15", Collage: acrylic, ink, calendar imagery on paper, Collection of the University of Iowa Hospitals

I'm curious to hear your thoughts on home as you've watched the images of devastation flash across your television screen or heard the news about another small town leveled.  Has your art been affected by these current and timeless events? Are images of home on alert in your imagination?

Flood, ©2009, H.K. Hunter, 11" x 17", Collage: acrylic, ink, caran d'ache, foil and calendar imagery on paper, Collection: Anonymous      

 

I'll be posting intermittently this summer; I want to take advantage of long days and cool evenings in the studio and finish working on a chapter for Cathy Malchiodi's upcoming book, "The Arts in Healthcare."
I look forward to keeping up with you on your blogs and wish you a reflective Memorial Day weekend; visited by memories of the ones that have gone before you.

Art Therapy 101

Liz & Partner: Viennese Waltz, Photo: Jen Gross

Normally, I spend these posts focused on my explorations in art and art therapy. However, behind all of that lies the beauty and wonder of family. Family is my foundation.

This year, in celebration of Mother's Day, I was invited by Claudine Intner, an artist, blogger and mom extraordinaire to join a Mother's Day blog hop. I accepted and chose May 14, my daughter's birthday, as my post date. I couldn't think of a better way of honoring Mother's Day than to write about being Liz's mom.

One of the great delights of my life, Liz came into it twenty two years ago today. A young woman who has faced many challenges, she has overcome them one step at a time.

In fact, Lizzie helped inspire me to become an art therapist. Being with my own daughter, I understood the need to have compassion, to help my child as she met the inevitable challenges of growing up. What an awakening; to discover that no one was going to be a better advocate for her than I. And, it was this same experience of advocacy which spurred me on later, to work with children, who might or might not need an advocate of their own.

Liz & Partner: Nightclub Two Step, Photo: Jen Gross

Years have passed since Liz's elementary school days, but at the time, I poured everything that I knew as an artist into my mothering. When school was frustrating, Liz hunkered down at a small table piled with markers and paper and pounded hard on sheet after sheet of paper, producing a series of pointillist mandalas. Later on studying art therapy, I learned the theoretical underpinnings of catharsis but at the time, Lizzie blazed her own art therapy trail.

When she reached high school, and I learned about SoulCollage®, it was Liz who took it to new heights, carrying stacks of 5" x 8" cards and magazines up to her room and emerging several hours later with a fan of cards to share with me. (Before long, she began to assist me during workshops, adding her gentle presence and expertise.)

Together, her cards created the portrait of a passionate and deeply creative woman and I wondered what future form(s) this might take in the world. I didn't have long to wait. During her first year of college, Liz discovered ballroom dance. An incurable romantic, this art form fits her to a T. I've delighted in watching her emerge as a gorgeous woman, who continues to craft her life one step at a time. Today, on her birthday, she is performing with her dance team, "Spirit in Motion" and dancing a solo with her partner. I can't think of a more fitting way for her to enter her 22nd year: in motion.

To see more blogs on the hop, click on any of the links below:

5/1 - Claudine Intner http://www.intner.net/blog 5/2 - Melissa Liban http://melissalibanillustrations.blogspot.com/ 5/3 - Lynn Krawczyk http://fibraartysta.blogspot.com/ 5/4 - Ishita Bandyo http://www.ishitabandyoarts.blogspot.com/ 5/5 - Jeri Greenberg  http://www.Jerigreenbergart.blogspot.com 5/6 - Kathleen Mattox http://mixedmessagesbykathleenmattox.blogspot.com/ 5/8- Amanda Ruth http://bunnycarrots.blogspot.com/ 5/9- Judi Hurwitt http://approachable-art.blogspot.com/ 5/10 - Kathleen Murphy http://kathleenmurphydesigns.blogspot.com/ 5/11 - Hannah Phelps http://hannahphelpsgallery.blogspot.com/ 5/12 - Helen Hiebert http://helenhiebertstudio.blogspot.com/ 5/14 - Hannah Klaus Hunter http://hannahklaushunter.blogspot.com/ 5/15 - Claudine Intner http://www.intner.net/blog/