Generosity & Creative Deed 365

Attachment-1 (1)An online project, Creative Deed 365,  got me thinking about generosity. What makes someone want to give? The project's creator, Gretchen Miller, decided that she wanted offer a project/challenge that involves "...making small pieces of art (3 x 2.5) to randomly gift to others as acts of kindness and to spread creative goodness to others in the spirit of 6 Degrees of Creativity’s 2014 Creative Deed Project.  I want to dedicate 2015 to sharing this process with others and give all the art away with year long positive messages of hope, inspiration, and possibility."

As I read further, I discovered that Gretchen was leaving the cards in coffee shops, tucked in bookstore shelves, at bus stops, almost any public place you could imagine.  Each of them had the following message on the back:

Creative Deed 365 | Creativity in Motion

I was inspired by Gretchen's idea and wondered how I could adapt it for myself. I knew that I couldn't keep up with one card a day (although I tried). Instead, I began to make cards in odd moments in the hospital, using them to process an interaction, or in an art therapy session, and as a means of self-care.

Attachment-1I wondered what to do with them, how could I offer them to others as a means of inspiration? I wanted to provide a place where people could look through the cards, choosing one that felt right to them. But where would that place be?

The idea, when it finally arrived, was simple. As I prepared my studio for our town's open studio tour, I thought about how when I visit artists' studios, I want to to leave with something tangible, something that preserves the beauty I've seen. The problem is that most of the time, I can't afford the art work.

I decided that in my own studio, I would take that obstacle away. Although much of my work would be for sale, I would give away small "365" pieces of art.

And I did. I watched people looking over my work: the prints, the large wall pieces, the gift cards and I could see at certain points, a small moment of longing cross their face. At those moments, I offered them a card. They took the process to heart, leafing through them as if they were tarot cards, searching for just the right one.Attachment-1 (3)

After that, I couldn't stop making the miniature offerings--although I don't know where the next drop off will be, that's all part of the surprise element.

If you are interested in joining Gretchen's project: Make a request to join the Creative Deed 365 Group on Facebook and contribute your own art in the spirit of this effort.

It All Adds Up

Paradox, detail ©2015, 26" x 32," Monoprint One week left to the Davis Art Studio Tour! This past weekend I cleared out so much unwanted "stuff" that I'm certain I'll feel psychically lighter for the next 6 months.

I love the spacious white feeling of my studio. Now, like materials are stored with like (easy on the memory). Unlabeled boxes have large black letters stating their contents. Artwork sits stacked, ready to be hung, displayed and sold.

For all this, I owe kudos to my sister, Amelia, who helped me to carry heavy objects down the studio stairs, cast away unused collage fodder and grab pictures of my leaf collection. Her openhearted support helped me to keep a stiff upper lip as I carted numerous armloads to the recycling bins.

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The act of clearing a space is of course both a physical and mental task and requires me to take a stand; I'll let go of this and hold onto that. And, when it's all done, I can focus on "closing the circle," returning to where it all began; the artwork itself.

I'm happy and excited to share the prints that have come off the Gelli plate in the last year. There are many of them and some wonderful cards that they've inspired. I'll have two of my good friends serving as wing persons so that I can show you just how how the magic happens.

If you're in the Davis area, I'd love to see you this Saturday or Sunday!

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Bookends

Paradox, ©2015, 26" x 32," Monoprint I was lying in bed the other night, almost asleep, when very softly, these words began to play in my head:

Time it was/And what a time it was, it was/A time of innocence, A time of confidences/Long ago it must be/ I have a photograph/Preserve your memories/They're all that's left you.*

In just a handful of syllables, the song, Bookends, captures the fleeting nature of time; the ever changing landscape of a life. When I first heard the song many years ago, I thought that the words referred to adolescence. Now, I know they refer to any collection of moments in life.

Up in my studio, I've been trying to capture, as in a photograph, this same transience. I gather the plant materials and know that the tender, tiny leaves of the Nandina will be gone in several days, replaced by tougher more mature leaves. The sprigs of jasmine buds that I'm printing will yield to the fragrant white blossoms.

Earlier in my series of prints, which I call "Shift," I was celebrating the plant forms of the Sacramento Valley. In any series, the more you explore, the more nuances are revealed and this spring is no exception. I am enchanted by the way plants pile new life onto old. New green stems push their way out of seemingly dead branches. A flirting shoot of jasmine twirls around a twiggy, yellowing stem.

I look forward to witnessing how this element of surprise plays out as the season continues to unwind. I'll be preserving them in prints.

* Bookends, Simon & Garfunkle, 1968

Opening a Studio

  Studio entrance, facing north

I wrote earlier about how I jumped at the idea of joining the Davis Artist Studio Tour. It didn't take long until I got into the nitty gritty of the details. Oh my gosh--I'm out of storage area! Time to comb through books and framed pieces and empty frames. Four bags of books head off to the library sale. Several obsolete frames and posters make their way to the ASPCA. After dusting the shelves, there's literally more room to breathe--and more room for art making.

When you take on a group project like the Davis Art Studio Tour, you invest some money up front. This could be a disincentive, but for me, its already proved its worth. Widening the circle of the artists I know has been wonderful--as well as practical. DAST divides itself into committees in order to organize the event and I found myself on the social media committee with artists Betty Nelsen and Adele Shaw, both talented artists and amazing human beings.

In addition to meeting new folks, there's the super plus of group energy. When you have 30 artists all planning "save the dates,"studio shots and art shots for Facebook, Instagram and Twitter, there's a lot more incentive to jump in and go with the flow.

So I've taken the jump and ordered a print rack as well as a complicated device called a "transfer gun 3M adhesive dispenser," which allows me to mat prints at a good pace. I'm excited. I've also discovered new Ampersand panels that I can use for mounting prints and all I need is a good weekend to dig in and begin to stockpile my work. Perhaps this one is as good as any!

2015 in Motion!

From the Davis Open Studio Tour 2015 website I feel like someone with a diary--who hasn't made an entry in a looong time. Which usually means lots has been going on. In December I wrote about my fear of preparing for my open studio. Like many things one fears, it turned out to be far easier, much less stressful and a whole lot more fun than I imagined.

So much fun in fact that when my friend, Sara Post, told me about the Davis Art Studio Tour coming in April, I signed right up. I felt like a kid who'd just gone down a slide, saying "Wheee! I want to do that again!"

So here I go, the Studio Tour is a cooperative of 30 artists, and like a well oiled machine, each person has their part to play. I look forward to this collaboration; working with Linda Clark Johnson on the December Open Studio was a huge learning curve and definitely a friendship deepener.

Linda and I caught framing up a print.

Kim Tackett and Linda Clark Johnson at our Open Studio in December

 

 

 

 

 

 

 

 

In order to prepare, I've been making loose plans; plans that will become more detailed in the days ahead.

In the meantime, my family and I just returned from time spent in one of my favorite places; Kauai. I've established the habit of bringing art supplies along with me and I spent all the time, when I wasn't hiking swimming or walking the beaches, immersed in plant materials and nice gooey acrylics. I want to make sure that some of the Studio Tour artwork includes and reflects the richness of this beloved island.

I'll be sharing more about the Davis Art Studio Tour as the next couple months unfold. Now, up to the studio!

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